Curatorial Statement
In a Flash: The Finite and the Infinite in Theatre Photography
Text: Bernice CHAN Kwok-wai
General Manager, International Association of Theatre Critics (Hong Kong)
Curator, A Snap beyond Borders: Hong Kong Theatre and Performance Photography
Time is a subject that I have pondered a lot in recent years. In this light, there is something that I want to tell you—this is a project about time. In the summer of 2017, I opened a filing cabinet filled with stage photos at a quiet corner of the Arts and Theatre Institute (ATI) in Prague. If memory is like a train, the black-and-white stage photos that I saw in the cabinet are rail tracks that connect the past to the present. The fleeting moments of a performance are captured in still frames, in which they travel through time and towards an imagined future.
In 2019, when time seemed to stand still, I boarded the train that ran from Prague to Hong Kong in my mind. It brought me to the work of the theatre photographers who took part in this project—YUEN Hon-wai, Ringo CHAN, CHEUNG Chi-wai, TSANG Man-tung, TSE Ming-chong and KWAN Pun-leung. Through the perspectives and lenses of these artists, I envisaged a collage of memories and stories about the theatre of our city. In their photos of stage performances are glimpses of time, space and personalities, and records of precious moments in the Hong Kong theatre. We witness a moment that sparkles on stage and a thought that arises in the audience’s minds, when the performer brings a character to life in a dazzling instant.
There are many possibilities to what we experience in the theatre—it can remanifest as a time, a place, or an encounter that exists beyond the theatre, where it is free from the constraints of dramatic storytelling. It can turn into echoes of the theatre’s energy that resound in the work of photographers, morphing into a beautiful scenery that mirrors the development of Hong Kong and its theatre in the past four decades. I cannot say whether the sparks we see on stage, or the sparks we relive outside of the theatre, are more dramatic. Yet there is something I would like to share with you—against the finite backdrop of the theatre, the infiniteness of the stage is revealed in the instant when the photographer presses the shutter.
There are many stages that lie beyond our visions. In 2021, I would like to share a picture of Hong Kong and its theatre—a story presented in single images, each of which is selected by one of the participating photographers—with an audience that might exist ten years from now. It is a story that is born in a flash, as we travel through time in photography and bear witness to our theatre today.